Year: 1998
Genre: Electronica
Highlight Tracks: "141 Revenge Street", "Flava Lamp", "Pools in Eyes"
Weak Tracks: "Bugeyed Sunglasses"
Ah, the good old days of 90's electronic music. The scene was diversifying so rapidly in the mid-90's that browsing the Foggy Bottom Tower Records' electronica section was akin to taking a wagon-coach into the Wild West. You never knew who or what would catch your eye or your ear to introduce you to an entirely new sub-genre of sound. There were boomtowns of sound developing all over the world and names of DJs and producers would spread like the legendary gunfighters of old.
Back in 1998 I remember hearing vague mutterings out of San Francisco about DJ Q-Bert and the mysterious Invisibl Skratch Piklz, so one afternoon I rode into Tower Records to seek them out. I didn't find any DJ Q-Bert that day but I did stumble upon this little gem in the same section.
While Q-Burn's Abstract Message is a terrible name for a one-man band it does not reflect on the music contained within. Most of the music is nice, big-beat techno in the style of The Crystal Method or The Chemical Brothers. Q-Burn never reached the heights of party or personality that his big-beat compatriots did however. Probably because Q-Burn's Abstract Message is more of an IDM lounge project at heart. While most of the beats on Oeuvre can get you moving the really interesting music is in the quiet stretches and dramatic build-ups like on the tracks "141 Revenge Street" and "Pools in Eyes". These are exciting techno tracks without ever being in your face.
A lot of the music here feels like lounge-chic electronica rather than warehouse rave-up. If big-beat was a resurgence of fun, mindless dance music and IDM was atmospheric, chin-stroking then in actuality Oeuvre falls somewhere in between. Each song has elements of both styles which makes for an interesting album but also one that is hard to place.
Genre: Electronica
Highlight Tracks: "141 Revenge Street", "Flava Lamp", "Pools in Eyes"
Weak Tracks: "Bugeyed Sunglasses"
Ah, the good old days of 90's electronic music. The scene was diversifying so rapidly in the mid-90's that browsing the Foggy Bottom Tower Records' electronica section was akin to taking a wagon-coach into the Wild West. You never knew who or what would catch your eye or your ear to introduce you to an entirely new sub-genre of sound. There were boomtowns of sound developing all over the world and names of DJs and producers would spread like the legendary gunfighters of old.
Back in 1998 I remember hearing vague mutterings out of San Francisco about DJ Q-Bert and the mysterious Invisibl Skratch Piklz, so one afternoon I rode into Tower Records to seek them out. I didn't find any DJ Q-Bert that day but I did stumble upon this little gem in the same section.
While Q-Burn's Abstract Message is a terrible name for a one-man band it does not reflect on the music contained within. Most of the music is nice, big-beat techno in the style of The Crystal Method or The Chemical Brothers. Q-Burn never reached the heights of party or personality that his big-beat compatriots did however. Probably because Q-Burn's Abstract Message is more of an IDM lounge project at heart. While most of the beats on Oeuvre can get you moving the really interesting music is in the quiet stretches and dramatic build-ups like on the tracks "141 Revenge Street" and "Pools in Eyes". These are exciting techno tracks without ever being in your face.
A lot of the music here feels like lounge-chic electronica rather than warehouse rave-up. If big-beat was a resurgence of fun, mindless dance music and IDM was atmospheric, chin-stroking then in actuality Oeuvre falls somewhere in between. Each song has elements of both styles which makes for an interesting album but also one that is hard to place.
1 comment:
Any chance of a DL for this?
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